Born and raised in Grimsby shortly after WW2, Allenby was influenced early on by church music from Church of the Nazarene and his mother singing around the house. Eventually Allenby heard the Beatles and the Stones like most kids during that time and the rest is history! He formed his first band the Ranting Lands before meeting his future bandmates to start Forest and would quickly go on to write and record two wonderful albums of original, exciting material. In this interview we explore Allenby’s past, future and present, Forest and the legacy they left behind, the late John Peel, what he’s currently working on and so much more!

Barbara met Steve Brown, alias Fred Bloggs at Bristol University in the 1970s. She was singing at a local Folk and Blues club when he invited her to join his Top 40/original-song band. The foundation members in the picture above are Steve on guitars and keyboards, Barbara on vocals and percussion, Geraint (Taffy) Jenkins on drums, Big John Howe on bass, and various other musicians symbolized by the other tall guy at the back, John Boucher (he was the only one we knew who owned a suit). Shortly afterward, Bristol entertainer Fred Wedlock helped them get a spot on an HTV television program which led to many engagements in the West Country. They were invited to work at long-term engagements at U.S. Military bases in Europe, including Rota naval base in southern Spain and several in the former W. Germany. They also traveled to Norway to play a winter season in a disco near Oslo. The line up of the band changed over the coming five years and included Bristol native Paul Anstey on bass, college lecturer Tony Alcock on saxophone, Huddersfield imports Mick Avery and Stan Thewlis (now known as Stan Rivera) from the jazz-rock band Skywhale on drums and sax/flute, and Bristol Old Vic Theatre carpenter Martin Norie on lead guitar. Paul, Stan and drummer Tony Orrell also played with pianist Tim Richards in the seminal Bristol jazz band Spirit Level.

Arts School graduate Alan Edwards not only joined us as drummer but contributed much art work and publicity to the band and designed our wooden music stands (like the old Glenn Miller Band type of thing). Several years of playing rock, country and disco music gave them a chance to get their chops together and by 1978 they were ready to record their first EP (remember those?) of original songs (click to listen). During this time, Barbara also appeared on a live BBC broadcast singing one of her original songs about the Clifton Suspension Bridge and was honing her instrumental skills. But by the late 1970s the individuals in the band were beginning to go their separate ways. Barbara briefly formed her own band with bass player Paul, flute player Stan, and drummer Tony Orell. This song, Soldier, is one that they performed at the Ashton Court festival in Bristol in 1978: Then came the Seldom Scene Band with friend and bass player Ruth King, guitarist John Sweet and "Ceilings" vocalist Trevor on drums (the band name was chosen by our manager who probably had no idea that there was already a quite famous American Bluegrass band with the same name). After another stint in Spain playing Bee Gees and original songs, they recorded a demo tape and then disbanded, leaving Barbara to sing with some of Bristol's jazz bands.

-(From The bands site)

Born and raised in Stone Cross, West Bromwich, Birmingham, England, UK, Atkins fell in love with immediately and was quickly influenced by greats such as The Beatles and Stones. Prior to Priest forming, Atkins participated in groups The Medallions and The Bitta Sweet, playing their local circuits and as 1969 rolled around Atkins and fellow bandmate Bruno Stapenhill formed of the greatest heavy metal bands to have ever existed, Judas Priest. We did an in-depth Interview with Atkins last year, but wanted to circle back and revamp another piece on the history and legacy of one of the most important groups in rock history!

Dave was educated at Lyndhurst, Charterhouse and Tonbridge, where he received his first formal music training. He later enlisted in the music services of the Royal Air Force where he developed his performance skills primarily on piano, studying privately with the renowned jazz pianist and composer Stan Tracey. Whilst at the Royal Air Force School of Music he also studied the clarinet, flute and soprano sax. After five years service he went on to study piano again with Stan Tracey. Dave is one of only a handful of established contemporary composers for film and television music who are capable of working in a entirely self-contained environment, embracing the very latest state of the art computer recording and synthesis technology in their own studio environment. Dave has an extensive sound design studio with the largest privately owned Synclavier systems and synthesizer setups in Europe. He is also adept and experienced in writing for and directing orchestras and live musicians, and is very successful in fusing this with his extensive library of original and treated synthesizer/sampler based sounds. As a composer Dave has worked on a number of successful feature films and television programs, in addition to working as music associate, performer and programmer to many successful Hollywood film composers such as George Fenton, John Williams and Trevor Jones to mention but a few. In his capacity as music associate and programmer he takes a very active role in arranging and orchestrating and even using his compositional skills to a large degree. His ability to realize and create quality and often-unique sounds has also lead to quite extensive credits as a sound designer, both musically and with relation to film/television sound effects. Musically he has used this talent to great effect in so-called ‘fusion’ scores such as the early Trevor Jones films such as Angel Heart and Mississippi Burning (which actually won an Oscar for best sound), where the created sounds were an integral part of the compositional process.

The Steven Spielberg Amblimation production “We’re Back” and Kenneth Brannagh’s “Mary Shelley’s Frankenstein” both won Golden Reel Awards from the Association of Motion Picture Sound Editors. Dave has also composed and co-composed, with Ronnie Bond and David Dundas, music for a large number of cinema and television advertisements including British Gas, Coco Pops, Philips, Le Coq, Birds Custard, Braun, Blueband, Brittania, Philip Morris, Accurist, Atari, Dixel, Dulux, Roxy, Mintguard, Bonjour, Ellermans, Wilkinson Sword, Foster Grants, Alpine, Wash’n Dye, Arctic Lite, Yves St. Laurent Kouros and others. In the 1970s Dave was a singer, keyboard player and songwriter for a number of successful groups, Web (later to become Samurai), Episode Six, The Alan Bown Set and Greenslade. He then went into the ‘session musician’ scene breaking off briefly to tour with Roy Harper and later Stackridge. He was then invited to join Ian Gillan’s band, (who had recently left Deep Purple) but because of recording commitments regrettably had to decline the offer. He also recorded some tracks with Chris Squire and Alan White, who at the time were taking a break from Yes. Jimmy Page also jammed with this set up and had managerial matters been resolved this line up would have been one hell of a band! Tony Reeves, the bass player with Greenslade invited Dave to jam with Curved Air, who at the time also included Stuart Copeland. In 1982, whilst recording with Bill Wyman, Dave was invited to play with Foreigner. The session scene in the 70’s and 80’s was the busiest time ever for Dave. He played on the soundtrack of the cult picture ‘The Man Who Fell To Earth’ with fellow musician Big Jim Sullivan, who he later recorded with and was then fortunate enough to play under the baton of John Williams and the L.S.O. on Starwars, Superman and The Fury. Other memorable sessions were with Peggy Lee, Bing Crosby and Fred Astaire.